Alia Bhatt's unsuccesful run: Can these three films bring her career back to life?

First Published Sep 7, 2020, 12:10 PM IST

Alia Bhatt's career graph has been fluctuating after back to back flops.

That one actress from the current generation that essayed the role of a spy in Raazi, to a bubbly girl in Humpty Sharma ki Dulhaniya gracefully, Alia has quite a fan base when it comes to her performances. Alia Bhatt has a line of producers and directors waiting to work with her. Alia is easily the top most star in the country right now, however because of back to back flops her career is experiencing a rough patch.
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Kalank:The movie which was supposed to be one of her best performances,but got a very mediocre response from the audience. Not just the critics, the film failed to impress almost everyone.
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The dated story line, too many songs and extra drama ruined it for the entire cast of the film.
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Sadak 2:When Sadak-2 was announced, everyone was eager to see how her father,Mahesh Bhatt will craft the chemistry of Sanjay Dutt, Alia Bhatt and Aditya Roy Kapoor together in the film.
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Apparently after the film was released it not only invited the worst reviews, rather some called it unbearable and a torture. It turned out to be the worst movie of her career.After back to back flops, these are the three anticipated films that can turn her career graph on the peak again
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Gangubai Kathiawadi:A Sanjay Leela Bhansali film, the story is based on the life of Gangubai, who transformed her life from a sex-worker to a mafia don. The first look of the film was much appreciated by the audience. All eyes are on the release of the movie.
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Brahmastra:Ayan Mukherji’s Brahmastra has seen a long wait to hit the floor. Alia will be seen with her beau Ranbir Kapoor and Amitabh Bachchan is also the part of the movie. The story is believed to be a sci-fi trilogy. Audience is not only excited about the movie, but also to see the couple together on screen
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RRR:Directed by SS Rajmouli, the film is touted to be a massive and grandest film in her career.
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